{"id":436,"date":"2024-02-22T15:33:22","date_gmt":"2024-02-22T15:33:22","guid":{"rendered":"https:\/\/solbaques.com\/bio-copy\/"},"modified":"2026-02-11T20:32:15","modified_gmt":"2026-02-11T20:32:15","slug":"bio-copy","status":"publish","type":"page","link":"https:\/\/solbaques.com\/en\/bio-copy\/","title":{"rendered":"Bio\/CV Copy"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":9,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"class_list":["post-436","page","type-page","status-publish","hentry"],"grid":"{\r\n \"colCount\": 24,\r\n \"colGutter\": 1.5,\r\n \"rowGutters\": [\r\n 3\r\n ],\r\n \"frameMargin\": 2,\r\n \"topFrameMargin\": 0,\r\n \"bottomFrameMargin\": 2,\r\n \"rowAttrs\": [\r\n {\r\n \"relid\": 8\r\n },\r\n {\r\n \"relid\": 9\r\n }\r\n ],\r\n \"bgColor\": null,\r\n \"cont\": [\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Statement - BIO<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 0,\r\n \"col\": 6,\r\n \"colspan\": 8,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 10,\r\n \"spacebelow\": 3,\r\n \"yvel\": 1,\r\n \"push\": 6,\r\n \"relid\": 4,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

CV<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 0,\r\n \"col\": 15,\r\n \"colspan\": 8,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 10,\r\n \"spacebelow\": 3,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 6,\r\n \"frameOverflow\": \"\",\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2024\/04\/sb.jpg\",\r\n \"align\": \"top\",\r\n \"row\": 1,\r\n \"col\": 1,\r\n \"colspan\": 4,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 3,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 562,\r\n \"attid\": 450,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2024\/04\/sb.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2024\/04\/sb-265x265.jpg\"\r\n },\r\n \"w\": 378,\r\n \"h\": 378,\r\n \"ar\": 1,\r\n \"alt\": \"\",\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Solange merges her Political Science education with her artistic expression in the Visual Arts area. Her passion, photography, was inherited from her father when he gave her a Kodak Fiesta camera at 12 years old.<\/span><\/p>

Solange revolves around family, memories, and emotions. She explores identities through family albums, intending to preserve the stories and places that get lost as time passes. She uses various techniques to construct the photographic images and invites the viewer to complete them.<\/span><\/p>

She studied fine arts with renowned Argentine artists such as \u00c1ngela Copello, Lorena Fern\u00e1ndez, Fabiana Barreda, Mariano Vilela, Francisca Kweitel, and Vivian Galb\u00e1n.<\/span><\/p>

Selected to be part of Yumi Goto's workshop \\\"The Photobook as an Object,\\\" she gave form to her book \\\"Memoria Imaginaria.\\\" \u00a0From March to May 2020, she was part of the group of artists in residence in Arteles, Finland, during the COVID confinement. She was involved in #23 Artists survey: Artists in pandemic isolation: Finland, Argentine, Australia.<\/span><\/p>

Solange was nominated to participate in Open Buenos Aires, and her oeuvre \\\"A paper story\\\" was selected to participate in FIG Bilbao 2022. She was shortlisted in XXXVII Sal\u00f3n Nacional de Artes Visuales, Azul, and nominated in VII AAMEC Contemporary Argentine Photography, taking place at the Museo Caraffa in C\u00f3rdoba, Argentina.<\/span><\/p>

Her work has been extensively exhibited in solo and group shows in Albi, France; Rome, Italy; Brisbane, Australia; Spain; Buenos Aires; Tucum\u00e1n; Salta; C\u00f3rdoba; Azul; and Mercedes in Argentina, obtaining several distinctions.<\/span><\/p>

\\\"Artists in Pandemic Isolation\\\" was acquired by the State Library of Queensland, Brisbane (Australia). \\\"Miniprints I, II, and III\\\" were donated to form part of the private collection of the Port Authority in Santander, Spain. FIG Bilbao acquired her oeuvre \\\"A paper story\\\" to form part of their private collection.<\/span><\/p><\/div><\/div><\/div><\/div><\/div>\",\r\n \"align\": \"top\",\r\n \"row\": 1,\r\n \"col\": 6,\r\n \"colspan\": 8,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 5,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Solo and group exhibitions<\/span><\/strong><\/p>

2023 | \u00a0\\\"La llamada\\\"- \u00a0San Isidro Town Council Centre. Argentina.<\/span><\/p>

2023 | \\\"Paisajes desvelados \\\"<\/em>\u00a0 Oda Gallery. Argentina<\/span><\/p>

2023 | \\\"Una historia en papel\\\". <\/em>Del Infinito Galer\u00eda. Colectiva. V Galb\u00e1n. Argentina.<\/span><\/p>

2021 | \\\" Arte en la Naturaleza \\\"\u00a0<\/em>Museo<\/span> de la Naturaleza Cantabria<\/span>- Espa\u00f1a.\u00a0<\/span><\/div>

2019 | \\\"Jugando en Silencio\\\" - ODA Gallery. Argentina.<\/span><\/p>

2019 | FOLA. Libro como Objeto. Yumi Goto. Argentina.<\/span><\/p>

2019 | BA Photo. ASZ Fine Art Gallery<\/span>. Argentina.<\/span><\/p>

2017 | \u00a0\\\"Hilo Rojo\\\"<\/em>\u00a0 Solo exhibition. \u00a0San Isidro Town Council. Bs As-Argentina.<\/span><\/p>

2017 |\u00a0<\/span>\\\"De Tiempos\\\"<\/em>. Centro Cultural Borges. Bs As. Argentina.<\/span><\/p>

2017 | \u00a0BA Photo. Galer\u00eda Imaginario. Bs As. Argentina.<\/span><\/p>

2016 | \\\"Imaginario Proyecta\\\".<\/em> 3\/12\/16. Casa Florida. Bs As. Argentina.<\/span><\/p>

2016 \/ 17 \\\"#1000 \u00c1rboles\\\".<\/em> Travelling exhibition. Merle. Berazategui y Mercedes en Bs As.. Galer\u00eda L\u00edquida. Salta. Centro Cultural de Realic\u00f3. La Pampa. Argentina.<\/span><\/p>

2016 | \u201cCuentos en Silencio\u201d<\/em>. Centro Cultural Borges. Bs As. Argentina.<\/span><\/p>

2014 |\u00a0<\/span>\u201cAtreverse\u201d.<\/em> Street exhibition. Palermo. Argentina.<\/span><\/p>

2013 | \u201cM\u00e1rgenes\u201d<\/em>. Galer\u00eda Thames. Bs As. Argentina.<\/span><\/p>

Distinctions\u00a0<\/span><\/strong><\/p>

2022 | \\\"A Paper story \\\"<\/em>\u00a0 VII Premio AAMEC de fotograf\u00eda contempor\u00e1nea. Shortlisted. Museo Caraffa. C\u00f3rdoba. Argentina<\/span><\/p>

2022 | \\\"A Paper story \\\"<\/em>\u00a0<\/em>XXXVII Sal\u00f3n Nacional de Artes Visuales. Azul. Shortlisted. Buenos Aires. Argentina.<\/span><\/p>

2022 \u00a0| \\\"A Paper story \\\" <\/em>FIG Bilbao. Shortlisted. Bilbao. Espa\u00f1a.\u00a0<\/span><\/p>

2022 | \\\"A Paper story \\\" <\/em>\u00a0<\/em>Open Buenos Aires. Shortlisted. Argentina.<\/span><\/p>

2020 | \\\"Jugando en silencio\\\"<\/em> \u00a0\\\"Mirrors and Reflections. Shortlisted. \u00a0Loosenart . Rome-Italy.\u00a0<\/span><\/p>

2019 | \u00a0\\\"Caminantes, Pasado y Presente de las Migraciones en la Argentina\\\"<\/em> Shortlisted. Muntref. Hotel de los Inmigrantes. Argentina.<\/span><\/p>

2019 | \\\"Hilo Rojo \\\"<\/em> ExpoArte Fotograf\u00eda - Shortlisted. Fundaci\u00f3n R\u00f3mulo Raggio. Argentina.<\/span><\/p>

2018 \\\"Memories\\\"<\/em>. \u00a0Shortlisted Loosenart . Roma. Italia.<\/span><\/p>

2018 | \\\"Herencias \\\"<\/em> \\\"Cefiro\\\" Galer\u00eda de Arte. 1st. Prize. -Photography. Argentina.<\/span><\/p>

2017 | \\\"Hilo Rojo \\\"<\/em>\u00a0 45\u00ba Sal\u00f3n de Tucum\u00e1n . Visual Arts prize. Timoteo Eduardo Navarro Museum. Shortlisted Artist. Tucum\u00e1n. Argentina.<\/span><\/p>

2016 | \\\"Hinchada \\\"<\/em> Rugb\u2019images. Shortlisted. Teatro de Cordelliers. Albi. Francia.<\/span><\/p>

2013 | \u201cEl Hombre y el Bosque\u201d<\/em>. 2nd. Prize. 4\u00ba Congreso Forestal Argentino y Latinoamericano - \u00a0Iguaz\u00fa, Misiones. Argentina.<\/span><\/p>

Residencies<\/span><\/strong><\/p>

2024 | ACE. Artists program. Residency. April. Bs As. Argentina<\/span><\/p>

2020 | \u00a0\\\"Silence Awareness Existence\\\"<\/em> Arteles Residency. Haukiharvi. Finland.<\/span><\/p>

2019 | \\\"Arte en el Origen\\\".<\/em> Espa\u00f1a. Residence. www.surpolar.org. Andrea Juan.<\/span><\/p>

2017 | Adriana Lestido. Mar Azul.<\/span><\/p>

Press - Interviews\u00a0<\/span><\/span><\/strong><\/p>

2022 \\\"Aristas de entrecasa \\\" Mar\u00eda Paula Zachar\u00edas. Book. Interviews to 91 artists during the Covid confinement. https:\/\/www.youtube.com\/watch?v=eQzh-iHz82g<\/a><\/span><\/p>

2020 | #Covid 19. Finlandia 2020. Solange Baqu\u00e9s. N\u00e1utico magazine # 321. https:\/\/www.calameo.com\/read\/006213723444d325bf83e?page=1<\/a><\/span><\/p>

2020. Interview by Mar\u00eda P. Zachar\u00edas. March 202.\u00a0<\/span><\/p>

2020. Arteles Catalogue 2020-2023. Silence Awareness Existence. March 2020<\/em>. Finlandia. https:\/\/www.arteles.org\/artists_projects.html<\/a><\/span><\/p>

2020.<\/span>\u00a0 #23 Artists suvey : Artists in pandemic isolation : Finland, Argentine, Australia<\/a><\/span><\/p>

2019 \/ 2020 \u00a0\\\"Memoria Imaginaria I\\\". \\\"Memoria Imaginaria II.\u00a0<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 1,\r\n \"col\": 15,\r\n \"colspan\": 8,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 1,\r\n \"relid\": 7,\r\n \"absolute_position\": false\r\n }\r\n ]\r\n}","phonegrid":"{\r\n \"colCount\": 12,\r\n \"colGutter\": 1,\r\n \"rowGutters\": [\r\n \"12\",\r\n 5,\r\n \"12\",\r\n \"12\"\r\n ],\r\n \"frameMargin\": 5,\r\n \"topFrameMargin\": \"15\",\r\n \"bottomFrameMargin\": 5,\r\n \"rowAttrs\": [\r\n {\r\n \"relid\": 10\r\n },\r\n {\r\n \"relid\": 11\r\n },\r\n {\r\n \"relid\": 12\r\n },\r\n {\r\n \"relid\": 13\r\n },\r\n {\r\n \"relid\": 14\r\n }\r\n ],\r\n \"bgColor\": null,\r\n \"cont\": [\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Statement - BIO<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 0,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 4,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2024\/04\/sb.jpg\",\r\n \"align\": \"top\",\r\n \"row\": 1,\r\n \"col\": 0,\r\n \"colspan\": 5,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 562,\r\n \"attid\": 450,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2024\/04\/sb.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2024\/04\/sb-265x265.jpg\"\r\n },\r\n \"w\": 378,\r\n \"h\": 378,\r\n \"ar\": 1,\r\n \"alt\": \"\",\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Solange merges her Political Science education with her artistic expression in the Visual Arts area. Her passion, photography, was inherited from her father when he gave her a Kodak Fiesta camera at 12 years old.<\/span><\/p>

Solange revolves around family, memories, and emotions. She explores identities through family albums, intending to preserve the stories and places that get lost as time passes. She uses various techniques to construct the photographic images and invites the viewer to complete them.<\/span><\/p>

She studied fine arts with renowned Argentine artists such as \u00c1ngela Copello, Lorena Fern\u00e1ndez, Fabiana Barreda, Mariano Vilela, Francisca Kweitel, and Vivian Galb\u00e1n.<\/span><\/p>

Selected to be part of Yumi Goto's workshop \\\"The Photobook as an Object,\\\" she gave form to her book \\\"Memoria Imaginaria.\\\" \u00a0From March to May 2020, she was part of the group of artists in residence in Arteles, Finland, during the COVID confinement. She was involved in #23 Artists survey: Artists in pandemic isolation: Finland, Argentine, Australia.<\/span><\/p>

Solange was nominated to participate in Open Buenos Aires, and her oeuvre \\\"A paper story\\\" was selected to participate in FIG Bilbao 2022. She was shortlisted in XXXVII Sal\u00f3n Nacional de Artes Visuales, Azul, and nominated in VII AAMEC Contemporary Argentine Photography, taking place at the Museo Caraffa in C\u00f3rdoba, Argentina.<\/span><\/p>

Her work has been extensively exhibited in solo and group shows in Albi, France; Rome, Italy; Brisbane, Australia; Spain; Buenos Aires; Tucum\u00e1n; Salta; C\u00f3rdoba; Azul; and Mercedes in Argentina, obtaining several distinctions.<\/span><\/p>

\\\"Artists in Pandemic Isolation\\\" was acquired by the State Library of Queensland, Brisbane (Australia). \\\"Miniprints I, II, and III\\\" were donated to form part of the private collection of the Port Authority in Santander, Spain. FIG Bilbao acquired her oeuvre \\\"A paper story\\\" to form part of their private collection.<\/span><\/p><\/div><\/div><\/div><\/div><\/div>\",\r\n \"align\": \"bottom\",\r\n \"row\": 2,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 8,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 5,\r\n \"frameOverflow\": \"\",\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

CV<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 3,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 6,\r\n \"absolute_position\": false\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Solo and group exhibitions<\/span><\/strong><\/p>

2023 | \u00a0\\\"La llamada\\\"- \u00a0San Isidro Town Council Centre. Argentina.<\/span><\/p>

2023 | \\\"Paisajes desvelados \\\"<\/em>\u00a0 Oda Gallery. Argentina<\/span><\/p>

2023 | \\\"Una historia en papel\\\". <\/em>Del Infinito Galer\u00eda. Colectiva. V Galb\u00e1n. Argentina.<\/span><\/p>

2021 | \\\" Arte en la Naturaleza \\\"\u00a0<\/em>Museo<\/span> de la Naturaleza Cantabria<\/span>- Espa\u00f1a.\u00a0<\/span><\/div>

2019 | \\\"Jugando en Silencio\\\" - ODA Gallery. Argentina.<\/span><\/p>

2019 | FOLA. Libro como Objeto. Yumi Goto. Argentina.<\/span><\/p>

2019 | BA Photo. ASZ Fine Art Gallery<\/span>. Argentina.<\/span><\/p>

2017 | \u00a0\\\"Hilo Rojo\\\"<\/em>\u00a0 Solo exhibition. \u00a0San Isidro Town Council. Bs As-Argentina.<\/span><\/p>

2017 |\u00a0<\/span>\\\"De Tiempos\\\"<\/em>. Centro Cultural Borges. Bs As. Argentina.<\/span><\/p>

2017 | \u00a0BA Photo. Galer\u00eda Imaginario. Bs As. Argentina.<\/span><\/p>

2016 | \\\"Imaginario Proyecta\\\".<\/em> 3\/12\/16. Casa Florida. Bs As. Argentina.<\/span><\/p>

2016 \/ 17 \\\"#1000 \u00c1rboles\\\".<\/em> Travelling exhibition. Merle. Berazategui y Mercedes en Bs As.. Galer\u00eda L\u00edquida. Salta. Centro Cultural de Realic\u00f3. La Pampa. Argentina.<\/span><\/p>

2016 | \u201cCuentos en Silencio\u201d<\/em>. Centro Cultural Borges. Bs As. Argentina.<\/span><\/p>

2014 |\u00a0<\/span>\u201cAtreverse\u201d.<\/em> Street exhibition. Palermo. Argentina.<\/span><\/p>

2013 | \u201cM\u00e1rgenes\u201d<\/em>. Galer\u00eda Thames. Bs As. Argentina.<\/span><\/p>

Distinctions\u00a0<\/span><\/strong><\/p>

2022 | \\\"A Paper story \\\"<\/em>\u00a0 VII Premio AAMEC de fotograf\u00eda contempor\u00e1nea. Shortlisted. Museo Caraffa. C\u00f3rdoba. Argentina<\/span><\/p>

2022 | \\\"A Paper story \\\"<\/em>\u00a0<\/em>XXXVII Sal\u00f3n Nacional de Artes Visuales. Azul. Shortlisted. Buenos Aires. Argentina.<\/span><\/p>

2022 \u00a0| \\\"A Paper story \\\" <\/em>FIG Bilbao. Shortlisted. Bilbao. Espa\u00f1a.\u00a0<\/span><\/p>

2022 | \\\"A Paper story \\\" <\/em>\u00a0<\/em>Open Buenos Aires. Shortlisted. Argentina.<\/span><\/p>

2020 | \\\"Jugando en silencio\\\"<\/em> \u00a0\\\"Mirrors and Reflections. Shortlisted. \u00a0Loosenart . Rome-Italy.\u00a0<\/span><\/p>

2019 | \u00a0\\\"Caminantes, Pasado y Presente de las Migraciones en la Argentina\\\"<\/em> Shortlisted. Muntref. Hotel de los Inmigrantes. Argentina.<\/span><\/p>

2019 | \\\"Hilo Rojo \\\"<\/em> ExpoArte Fotograf\u00eda - Shortlisted. Fundaci\u00f3n R\u00f3mulo Raggio. Argentina.<\/span><\/p>

2018 \\\"Memories\\\"<\/em>. \u00a0Shortlisted Loosenart . Roma. Italia.<\/span><\/p>

2018 | \\\"Herencias \\\"<\/em> \\\"Cefiro\\\" Galer\u00eda de Arte. 1st. Prize. -Photography. Argentina.<\/span><\/p>

2017 | \\\"Hilo Rojo \\\"<\/em>\u00a0 45\u00ba Sal\u00f3n de Tucum\u00e1n . Visual Arts prize. Timoteo Eduardo Navarro Museum. Shortlisted Artist. Tucum\u00e1n. Argentina.<\/span><\/p>

2016 | \\\"Hinchada \\\"<\/em> Rugb\u2019images. Shortlisted. Teatro de Cordelliers. Albi. Francia.<\/span><\/p>

2013 | \u201cEl Hombre y el Bosque\u201d<\/em>. 2nd. Prize. 4\u00ba Congreso Forestal Argentino y Latinoamericano - \u00a0Iguaz\u00fa, Misiones. Argentina.<\/span><\/p>

Residencies<\/span><\/strong><\/p>

2024 | ACE. Artists program. Residency. April. Bs As. Argentina<\/span><\/p>

2020 | \u00a0\\\"Silence Awareness Existence\\\"<\/em> Arteles Residency. Haukiharvi. Finland.<\/span><\/p>

2019 | \\\"Arte en el Origen\\\".<\/em> Espa\u00f1a. Residence. www.surpolar.org. Andrea Juan.<\/span><\/p>

2017 | Adriana Lestido. Mar Azul.<\/span><\/p>

Press - Interviews\u00a0<\/span><\/span><\/strong><\/p>

2022 \\\"Aristas de entrecasa \\\" Mar\u00eda Paula Zachar\u00edas. Book. Interviews to 91 artists during the Covid confinement. https:\/\/www.youtube.com\/watch?v=eQzh-iHz82g<\/a><\/span><\/p>

2020 | #Covid 19. Finlandia 2020. Solange Baqu\u00e9s. N\u00e1utico magazine # 321. https:\/\/www.calameo.com\/read\/006213723444d325bf83e?page=1<\/a><\/span><\/p>

2020. Interview by Mar\u00eda P. Zachar\u00edas. March 202.\u00a0<\/span><\/p>

2020. Arteles Catalogue 2020-2023. Silence Awareness Existence. March 2020<\/em>. Finlandia. https:\/\/www.arteles.org\/artists_projects.html<\/a><\/span><\/p>

2020.<\/span>\u00a0 #23 Artists suvey : Artists in pandemic isolation : Finland, Argentine, Australia<\/a><\/span><\/p>

2019 \/ 2020 \u00a0\\\"Memoria Imaginaria I\\\". \\\"Memoria Imaginaria II.\u00a0<\/span><\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": 4,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 7,\r\n \"absolute_position\": false\r\n }\r\n ]\r\n}","_links":{"self":[{"href":"https:\/\/solbaques.com\/en\/wp-json\/wp\/v2\/pages\/436","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/solbaques.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/solbaques.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/solbaques.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/solbaques.com\/en\/wp-json\/wp\/v2\/comments?post=436"}],"version-history":[{"count":0,"href":"https:\/\/solbaques.com\/en\/wp-json\/wp\/v2\/pages\/436\/revisions"}],"wp:attachment":[{"href":"https:\/\/solbaques.com\/en\/wp-json\/wp\/v2\/media?parent=436"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}